It’s a strange feeling, when you create something, whether that’s written, drawn or otherwise, and then somebody buys it with their hard-earned money. They then display it and enjoy it. I say ‘strange’ as the process isn’t connected to the outcome, which, you as the creator won’t get to experience.

Case in point; my Houdini ink portrait was recently purchased and has since been framed and is on display in a friend’s house in London. However, I created the piece in solitude here in my studio in Blackpool. The buyer experiences it on a daily basis in their home.

Another collector purchased two of my pieces and has since framed them and put them up in his home. And only yesterday a new buyer purchased a piece to display at his home in New York.

The disconnect between the creator (and the personal enjoyment that brings me as the creator) and the enjoyment that the purchaser experiences when viewing the work they now own, are separate experiences. This may at first appear blindingly obvious. But…

I spent nigh-on two decades as a professional magician performing in all manner of environments. The bizarre thing there is that the act which I created first as a solitary experience, then collaborating with my director, eventually led to the act being organically adapted and tweaked before the audience who experience it at the same time as I do as it is created. 

I think as an artist and writer, having that disconnect often leads you to feel you’re missing out on something special; namely enjoying the enjoyment that your creation brings to the person experiencing it in the moment, something that a live performance has in spades.

How to overcome this is an interesting proposition. An exhibition? In March I’m co-organising in a theatrical immersive art installation. But again, throughout the week of performances, I may only be there for one or two given my schedule and the fact it’s in London. Writers often shy away from, but others enjoy immensely, the book reading to a small intimate audience. Again, it is a way to connect in the moment and share your creation.

Having seen it from both sides of the coin, I think the energy from creating live is immense when compared to the energy used when working in isolation in the studio. As socially hungry animals, finding that balance to share static works and bring them to life where artist and audience can meet is something I’m finding creatively stimulating as the weeks roll merrily along.

What do my fellow ‘creatives’ think? How do they work around this? Or, does it even matter to you as an artist?